The Suicide Paradox
Season 1, Episode 3
If I were to ask you what’s more common in the U.S., homicide or suicide, what would you say?
Homicide is certainly a lot more prominent; it’s constantly in the headlines and in our public consciousness. But the fact is that suicide is more than twice as common as homicide. The preliminary numbers for 2009, the most recent year for which we have data, show there were roughly 36,500 suicides in the U.S. and roughly 16,500 homicides.
So why don’t we hear more about suicide? In part because it is a very different type of tragedy. Murder represents a fractured promise within our social contract, and it’s got an obvious villain. Suicide represents –- well, what does it represent? It’s hard to say. It carries such a strong taboo that most of us just don’t discuss it much. The result is that there are far more questions about suicide than answers. Like: do we do enough to prevent it? How do you prevent it? And the biggest question of all: why do people commit suicide?
Those are just a few of the questions we address in our latest hour-long Freakonomics Radio program, “The Suicide Paradox.” (You can listen or download via the link above or read a transcript here. This program and four more hours are being broadcast on public-radio stations across the country this summer, and they’ll all wind up in our podcast stream in short course. And you can subscribe to the Freakonomics Radio podcast on iTunes or via RSS.) I have to say, many of the answers we found were surprising. And the topic in toto, while obviously a difficult one, is fascinating.
You’ll hear a good deal from David Lester, a professor of psychology at Richard Stockton College of New Jersey who is considered the dean of suicide studies. He has an astonishing 2,500+ academic citations in total, more than half of which concern suicide. He is also president-elect of the American Association of Suicidology. His interest in the death goes back to his childhood in wartime England:
LESTER: The classic bomb that came over was called a buzz bomb because it was buzzing and that meant that the engine was going. Once it stopped buzzing it meant it would drop and maybe hit your house. My mother says that even as a toddler I was very concerned about them, I would listen for them. And actually she said that I would hear them before the air raid warnings went off, and I would warn everybody about a buzz bomb, and I would rush into the air raid shelter.
So, you know, as a graduate student in America, I started doing work on the fear of death and suicide without thinking of the genesis of it. And then ten years ago I remembered this picture of this little toddler who’s very worried about buzz bombs and hiding from them probably without a material concept of death, but obviously perhaps, laying the seeds of some interest that manifested itself later in life. And I’ve become a thanatologist in general, and a suicidologist in particular.
Lester may know more facts about suicide than just about anyone alive – and you’ll hear lots of them — but he is humble in the face of its causes:
LESTER: First of all, I’m expected to know the answers to questions such as why people kill themselves. And myself and my friends, we often, when we’re relaxing, admit that we really don’t have a good idea why people kill themselves.
The episode also features Steve Levitt, wondering why there aren’t more suicides than there are, and a fascinating story from the linguist Dan Everett, author of Don’t Sleep, There Are Snakes: Life and Language in the Amazonian Jungle, who tells us about the Pirahã tribe’s feelings about suicide.
WRAY: The American suicide belt is comprised of about ten western states, this sort of wide longitudinal swath running from Idaho and Montana down to Arizona and New Mexico. … So, yes the inner mountain west is a place that is disproportionately populated by middle-aged and aging white men, single, unattached, often unemployed with access to guns. This may turn out to be a very powerful explanation and explain a lot of the variance that we observe. It’s backed up by the fact that the one state that has rates that is on par with what we see in the suicide belt is Alaska. If Alaska were contiguous with the U.S. it would really have to be considered part of this western suicide belt.
And Veralyn Williams reports on places where there’s a paucity of suicides: African-American communities. As it happens, blacks are only about half as likely to kill themselves as whites. (When it comes to murder, meanwhile, blacks are nearly six times more likely than whites to die.) There are just three places in the U.S. where the overall homicide rate is higher than the suicide rate: Louisiana, Maryland and the District of Columbia. It’s not a coincidence that these are also places with large African-American populations. Donna Barnes, who founded the National Organization for People of Color Against Suicide, tries to explain why there’s such a huge black-white suicide gap:
BARNES: Okay, it’s very easy when you are stressed and you don’t want to live anymore and put yourself in harm’s way and somebody will take you out. We get angry. We get irritable. We do things, we engage in reckless behavior more so than say, the dominant culture. And those are signs of depression. And many times we will externalize our frustration meaning that we’re going to take it out on other people. And then you might have more folks maybe from the dominant culture who internalize their frustration and take it out on themselves. We have been socialized to believe that a lot of our disadvantages are based on our surroundings — racism, discrimination and all of that. So it’s really easy, for us, when we become frustrated and we look at what’s going on around us, to take it out on the environment and other people rather than ourselves.
We also look into whether suicide is contagious. Radio veteran Sean Cole filed a fascinating piece on this topic. It includes an account of how an 18th-century Goethe novel called The Sorrows of Young Werther proved to be suicidogenic. You’ll hear from the sociologist David Phillips, whose paper “The Influence of Suggestion on Suicide: Substantive and Theoretical Implications of the Werther Effect” can be found here:
PHILLIPS: My students and I were the first to provide modern large scale evidence that there is in fact such a thing as copycat suicide. And we called this, I called it, The Werther Effect.
You’ll also hear from Thomas Niederkrotenthaler, a medical professor and founding member of the Wiener Werkstaette for Suicide Research in Austria, about a recent example of the Werther Effect in Vienna. A related Niederkrotenthaler paper, “The Role of Media Reports in Completed and Prevented Suicide: Werther v. Papageno Effects can be found here.
We also travel to Hungary, where suicides have always been more common than just about anyplace else on earth, and try to understand why. Freakonomics Radio producer Suzie Lechtenberg files a report that centers around a song, “Gloomy Sunday,” that’s come to be known as the “Hungarian suicide song.” It was written by Rezso Seress (who committed suicide himself); it’s been performed by everyone from Billie Holiday to Bjork. The suicide scholar David Lester has noted Hungary’s suicide problem: