Broadway operates on a winner-take-most business model. A runaway hit like Stereophonic — which just won five Tony Awards — will create a few big winners. But even the stars of the show will have to go elsewhere to make real money. (Part two of a two-part series.)
To find out more, check out the podcasts from which this hour was drawn: “How to Make the Coolest Show on Broadway” and “You Can Make a Killing, but Not a Living”
Comments