From Babak Givi, an assistant professor at NYU’s Dept. of Otolaryngology-Head & Neck Surgery:
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I am writing in regards to your January 9th podcast ["Are We Ready to Legalize Drugs? And Other FREAK-quently Asked Questions"] and the question about hats. Why people used to wear hats? Stephen made a comment about religious roots of hats and Steven talked about fashion.
I am sure there are links with both, but I would like to note that for the most of the human history, hats were protective garments. We are not spending as much time as we used to out in the open environment. If you spend most of the time outside, you will soon realize that similar to the rest of your body, you have to protect your head from the sun, wind, rain, or snow; but most importantly from the sun. Even now, when we spend most of our time inside our manmade structures, skin cancers are the most common type of cancer in humans. Furthermore, the most common area for developing skin cancers is head and neck, which happens to be the most exposed area of human body, as long as you are not a strict nudist. The effects of ultraviolet rays on developing skin cancers is beyond doubt. Lightly pigmented skins are extremely sensitive to the sun and with enough exposure most people will develop skin cancers. Hats, similar to the rest of clothing items, protect our skin. In addition, less sunlight will delay development and progression of cataracts (point for wide brim hats). I think our ancestors had developed the habit of wearing hats out of necessity not fashion or religion. But of course through the millennia, we start adding religious, fashion, and symbolic meanings to wearing hats.
We are setting up a new series of interviews for Freakonomics Radio in which we’ll identify interesting/accomplished/prominent people and ask them a series of Freakonomics-ish questions, ranging from their professional accomplishments to personal quirks. I am eager to hear your suggestions on both:
1) The people you’d want to hear from; and
2) What kind of questions you’d like to hear them asked.
No idea is too big/small, outlandish/traditional, etc.
Thanks in advance.
1. Wow! Listeners have so far responded way, way, way better than Levitt predicted they would in the podcast — so: 1a) Thanks!; and 1b) Nice job in proving a pretty smart guy very wrong.
2. Some of your comments and e-mails noted that WNYC’s fund-raising site doesn’t allow for contributions via PayPal, text, Flattr, Bitcoin, etc. That is true. Hopefully some of these avenues will be added over time. Some of you also noted that the podcast already has advertising, so why are we also asking for contributions from listeners? Good question. Short answer: WNYC is the funding producer of our podcast, and as such is responsible for paying all our producer and engineer salaries, studio time, field-recording costs, music-licensing costs, bandwidth, and a million other things, like the transcription of interviews (for every minute of talking that ends up in the podcast, we’ve probably got about five minutes of interview tape). We are grateful for the advertisers on our podcast, but that revenue is not nearly enough to produce the podcast. That’s why we came to you, our listeners, for additional support. Read More »
I think that our engineer/mixmaster David Herman does a fantastic job of making Freakonomics Radio podcasts sound great (no matter what you may think of all the talking that interrupts the music and other audio effects).
But there is of course a lot of heterogeneity in personal preferences. Here’s an e-mail we just received from a listener:
Heard your show for the first time yesterday on Tipping. Loved all the speaking clips and analysis. HATED the musical interludes so much that we (my husband, kids and I) cannot fathom ever listening again unless they are removed. They gave us a bad headache and were so distracting from the content that we had to turn the show off before the end. Please consider removing them. Thanks.
Afraid we just lost a family of listeners, as we won’t be removing all music from our episodes. Happy to say this is an uncommon complaint; much more common is an e-mail asking where to get hold of the music that appears. FWIW, every time we put out a podcast, the accompanying blog post includes a transcript of the episode which lists the music.
A Freakonomics Radio listener named Sudha Krishna writes with an e-mail titled “Praise and Concern.”
The praise is very nice — she finds the show “informative, entertaining, and lots of fun,” etc. — but it is the concern that most interests me. As she writes:
I confess I often find Freakonomics Radio depressing. While I am a believer in the power of “unintended consequences,” I find your story selection (and I am a consistent and attentive listener) depressing and discouraging. The stories tend to be focused on (and I am being a wee bit reductive) “good intentions leading to bad consequences (or at very least awry).” The consistent lesson of every episode — a nod to the supremacy of the market and the inexorable power of incentives (not sure about that lesson either). Rarely do you explore the opposite — bad intentions resulting in good consequences. Does such an example exist? One curious listener of Freakonomics Radio wants to know.
I could probably quarrel a little bit with Sudha — at least some of our shows are about some interesting solution to a problem, or at least an explanation for why such a problem exists. And I tend to think that Levitt and I are borderline extreme optimists, at least on many dimensions. But I get her point. The pattern she identifies is definitely a pattern.
So, in the interest of learning to think more broadly, I would love to identify some great ideas or stories about “bad intentions resulting in good consequences,” as Sudha puts it. Please leave your very best ideas (or even your mediocre ones) in the comments section below. Thanks to you and especially to Sudha.
A few times a week, we get an e-mail like this one, from Oliver Breidenbach:
I love the music you choose for the background of the podcast. Can you post a playlist on your site or let me know where I can find the music? I think many fans will enjoy that.
One reason we get this question so often is that the music in our podcasts is so good. So is, IMHO, the entire audio soundscape. All of that is primarily the doing of one man, David Herman, who is Freakonomics Radio’s sound engineer/technical director/trivia repository — and more.
As for where to learn about the music: we list it in each show’s transcript, which accompanies the blog post that is published with each episode. Our podcast archive page is here. Enjoy!
A couple times a year, we take reader/listener questions for an FAQ (FREAK-quently Asked Questions) episode of our podcast. We’ll likely put out next FAQ in mid-April, so ask us your questions in the comments section below. Thanks.
Last week we posted a survey for Freakonomics Radio listeners. Your response was fantastic — nearly 2,000 listeners — and very helpful. In return, we thought it’d be nice to share some of the data with you. As a big believer in negative feedback, I have just one regret: that we didn’t ask you to tell us what you don’t like about the podcast. Maybe next time.
WHO YOU ARE:
Our listeners are, in a nutshell: rather male (77%); relatively young (45% are 25-35 years old, another 24% are 35-44); well-educated (38% have a graduate degree; another 43% have a bachelor’s degree); and — according to the survey data at least — pretty well-off (17% earn more than $150,000 and another 23% earn between $100,000 and $150,000; then there are the 14% who earn between $0 and $30,000, most of whom are likely students).
WHAT YOU DO:
Here is a look at top occupations: Read More »